The Drum Broker Blog

The Polyphonic Music Library: Mario Luciano’s Analog Odyssey

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Background: Mario Luciano’s Musical Journey Mario Luciano is a producer and multi-instrumentalist renowned for his passion for analog recordings and retro soundscapes. Based in Seattle, Washington, Luciano grew up enamored with the rich textures of 1960s and 70s music – from the soulful swell of church gospel to the gritty grooves of vintage soul and jazz. In the 2010s he began carving out a niche in music production as a “sample maker”, creating original compositions that sounded like lost vinyl gems. His unique talent for crafting authentic analog instrumentals quickly made him a go-to resource for producers and artists seeking nostalgic sounds. By the end of the decade, Luciano had emerged as one of the industry’s top sample composers, earning credits on major projects and even a Grammy nomination for his contributions. Luciano’s early career saw him collaborating behind the scenes with established producers, diligently studying the recording techniques of past eras. Rather than relying on digital presets, he immersed himself in old-school methodologies – recording to tape, experimenting with vintage instruments, and perfecting the warmth and imperfection of bygone audio gear. This obsessive commitment to authenticity paid off: by his late twenties, Mario Luciano’s work was in high demand. He garnered co-production credits with prominent names (including a placement on R&B star H.E.R.’s hit single “Slide” in 2019) and began developing a signature sound that stood out for its “nostalgic and reminiscent” quality of classic gospel and soul. These early successes set the stage for Luciano’s most ambitious project to date: The Polyphonic Music Library. Founding the Polyphonic Music Library: Origin and Evolution The Polyphonic Music Library (PML) was born in late 2019 as Mario Luciano’s boutique label and creative outlet. Frustrated by the generic nature of many sample packs on the market, Luciano envisioned a library that would “bring back the authenticity” of 1960s, 70s and even 80s recordings. He officially launched PML with a simple mission: to produce new music that sounds old – capturing the soul of vintage jazz, gospel, soul, and psychedelic records. Early releases like “Mario Luciano Vol.1” (a collection of original compositions and analog drum breaks) set the tone for the library’s ethos, balancing contemporary hip-hop influences with retro instrumentation. From the outset, what set PML apart was Luciano’s insistence on using rare period-correct equipment and recording techniques to achieve an eerily genuine vintage sound. Starting as a one-man operation, The Polyphonic Music Library grew rapidly in both catalog and reputation. Luciano began releasing themed collections – each exploring a particular mood or era – such as “Soul Expressions” (celebrating lush 70s soul grooves) and “Cinema Themes” (inspired by dramatic soundtrack scores). He also delved into global influences with packs like “Italia”, “Brasil”, and “Japan”, which reimagine the regional sounds of past decades. By curating a diverse yet cohesive catalog, Luciano turned PML into a trusted source for producers seeking high-quality samples with character. Within just a couple of years, Polyphonic’s recordings were being sampled in songs by chart-topping artists across hip-hop and R&B. Since its inception, Luciano’s library has been tapped by superstars including Drake, Kendrick Lamar, J. Cole, Madlib, H.E.R., Jack Harlow, Westside Gunn, Conway the Machine and many others. What began in 2019 as Luciano’s personal passion project has evolved into an influential music library bridging the past and present – all while remaining proudly boutique and artist-run. Analog Craftsmanship: The Musical and Production Process One of the Polyphonic Music Library’s defining features is its meticulous analog production process. Mario Luciano’s approach to composing these samples is almost archaeological – he digs into older recording methods and resurrects them in a modern studio setting. Each Polyphonic composition is recorded using live instruments and vintage hardware to ensure no detail is lost in pursuit of a retro feel. Luciano often starts by laying down melodies on classic keyboards or organs; for instance, he has used the modern Moog One analog synthesizer to conjure eerie, psychedelic motifs reminiscent of 1970s horror film soundtracks. From there, he layers instrumentation much like a band from the era would: live horns, flutes, strings, piano, Hammond B3 organ, guitar, and even soulful vocals find their way into the mix. Each instrument is chosen for its period-authentic tone – be it a mellow Rhodes electric piano or a gritty fuzz guitar – contributing to the library’s rich palette of sounds. Crucially, Luciano insists on processing and capturing these performances with analog gear at every step. In his studio, you’ll find vintage ribbon microphones like the RCA BX-44 pointed at drum kits and amplifiers to capture a warm, roomy ambiance. Classic outboard units are employed to shape the sound: the Teletronix LA-2A tube compressor gently squeezes vocals and bass lines, while a Roland Space Echo RE-201 imparts swirling tape delay to guitars and keys. Even the amplifiers are era-specific – Luciano often runs instruments through a vintage Fender Vibrosonic guitar amp to imbue them with the imperfect warmth of old recordings. The entire signal chain, from instrument to tape (or analog-styled digital tape emulation), is designed to emulate the production of a half-century ago. By the time a composition is finished, it sounds as if it could have been ripped from a dusty vinyl LP in a collector’s attic. This analog-first workflow is both Luciano’s artistic trademark and the technical backbone of The Polyphonic Music Library’s sound. The production process also involves a fair amount of musical scholarship. Luciano conducts extensive research into how records were made in different locales and genres – whether it’s studying the deep harmonies of gospel choirs or the peculiar scales of 1970s jazz fusion. He then channels these insights when writing and arranging each piece. The resulting compositions aren’t simply retro for nostalgia’s sake; they honor the aesthetics and imperfections of vintage music while remaining usable for contemporary song production. It’s not unusual for a Polyphonic sample to include intentional “aging” – a touch of tape hiss, a crackle of vinyl, or looser timing on a drum fill – all added in service of realism. Luciano’s aesthetic philosophy is clear: by authentically recreating the past through analog means, he provides today’s producers with something more inspiring than a clean digital loop. Each sample is a bespoke mini-recording with its own soul. Notable Usages and Placements in Modern Music It didn’t take long for Mario Luciano’s painstaking creations to find their way into high-profile songs. As awareness of The Polyphonic Music Library spread among industry insiders, major artists and producers began sampling Luciano’s compositions for their own projects. In fact, since 2019 the library’s influence has been felt across some of hip-hop and R&B’s biggest releases. A watershed moment came when rap superstar Drake used a Polyphonic sample as the backbone of his track “8AM in Charlotte” in 2023 – a song that prominently flips one of Luciano’s haunting gospel-soul pieces into a modern rap canvas. Around the same time, Kendrick Lamar tapped Luciano’s work for “Savior” (from the Grammy-winning Mr. Morale & The Big Steppers album), layering the song’s introspective lyrics over a moody, analog-textured arrangement Luciano co-produced. Other marquee placements underscore the library’s broad appeal. J. Cole’s 2021 song “p u n c h i n’ . t h e . c l o c k” was co-produced by Mario Luciano and built around one of his soulful loops, adding a vintage atmosphere to Cole’s honest rhymes. Jack Harlow leaned on a Polyphonic sample to give his 2023 track “Is That Ight?” a distinctly old-school vibe amid contemporary flows. And as mentioned earlier, R&B singer H.E.R. scored a hit with “Slide” (2019) featuring YG, which was one of Luciano’s early notable placements and showcased his knack for fusing throwback soul with modern R&B grooves. Beyond the radio singles, a who’s-who of respected rappers have mined Luciano’s library for inspiration – from the gritty boom-bap of Westside Gunn and Conway the Machine (who have sampled Polyphonic gospel loops on tracks like “Horses on Sunset” and “Ameenah’s Van”) to younger talents like Cordae, Doechii, and IDK. Each time, Luciano’s samples act as the secret sauce, imbuing these songs with a musicality and emotional depth that sampled music often provides. These placements have not only boosted Luciano’s profile (earning him co-writing and production credits on major label albums) but also validated the concept of a boutique sample library on the biggest stages of music. It’s telling that even legendary producer Madlib – a crate-digging icon known for sourcing obscure records – took notice of Mario Luciano’s work. In 2024, Madlib’s label invited Luciano to contribute an installment to the Madlib Invazion Music Library Series, resulting in “Shades of Mauve,” a collaborative album between Mario Luciano and vocalist Lauren Santi. This project, released on vinyl in limited edition, serves both as a sample source and a standalone listening experience, solidifying Luciano’s status among the upper echelon of sample composers. A Tapestry of Styles: Genres and Influences in the Library From the beginning, The Polyphonic Music Library has been celebrated for its distinctive stylistic diversity. While many sample collections stick to a single genre or vibe, Luciano’s catalog confidently traverses multiple worlds – yet always with a cohesive thread of vintage authenticity. At its core, PML is rooted in 60s and 70s soul and gospel music. Lush church choirs, bluesy piano chords, and uplifting brass sections are frequently woven into Luciano’s samples, reflecting his love for gospel’s warmth and soul’s groove. Tracks like those on the “A Faithful Spirit” pack, for example, feature soulful vocal harmonies (often provided by collaborators like singer Nichol Eskridge) that could be mistaken for excerpts from long-lost gospel records. This strong gospel/soul foundation gives many Polyphonic compositions a stirring, human quality that producers and listeners feel instantly. Yet soul is only one color in the palette – Luciano also delves into jazz and funk influences, channeling the spirit of late-night jam sessions and library music of the 70s. Some compositions echo the modal jazz explorations of Miles Davis or the electric funk of Herbie Hancock’s Head Hunters era, complete with walking basslines and airy cymbal rides. Others lean towards psychedelic rock and experimental music, with wailing guitars, spacey synths, and tape-warped effects conjuring a trippy atmosphere. This psychedelic streak was evident even on Vol.1, where Luciano intentionally crafted “dark, obscure...psychedelic vibes with unique rhythms” in the spirit of 1970s European horror film scores. The library’s “Cinema Themes” volumes further embrace soundtrack styles – from dramatic orchestral sweeps to melancholy Mellotron melodies – broadening the cinematic range of content available to sample. Another distinctive aspect of PML is its occasional focus on regional genres and eras. Luciano has essentially created musical time capsules for various locales: the “Italia” pack pays homage to Italian library music and soundtrack composers (think Ennio Morricone or Piero Umiliani), while “Brasil” channels Brazilian funk and bossa nova flavors of the 60s/70s. There are nods to French ye-ye and chanson in some works, as well as nods to American Motown-style rhythm & blues in others (e.g., the “Temptations” series clearly referencing Motown’s golden era). Despite covering this wide stylistic ground, each sample in the library is unified by Luciano’s production approach – meaning a psychedelic jazz piece and a gospel soul piece both feel like they could have been recorded on the same vintage analog console. This unity through production allows producers to mix and match across PML’s catalog without jarring differences in texture. In sum, the Polyphonic Music Library functions as a carefully curated tapestry of genres: soul, gospel, jazz, psych, funk, and beyond, all filtered through Mario Luciano’s singular retro lens. Cultural and Artistic Impact on Modern Production The rise of The Polyphonic Music Library illustrates a broader shift in modern sample-based music production – one that Mario Luciano has helped lead. In an era when technology allows producers to create music entirely “in the box,” Luciano’s success has reasserted the cultural value of analog and live-recorded sound. By opting for real instruments and vintage techniques, he has shown a new generation of producers that there is still magic to be found in physical performances and old-school gear, especially when aiming to invoke a particular mood. The warm, imperfect character of PML’s samples has become a sought-after ingredient for adding authenticity to digital productions. As a result, even chart-topping artists have embraced these boutique samples to lend their music a patina of history and depth that simply can’t be synthesized. The influence extends beyond just the sounds: Luciano’s work underscores the idea of treating sample composition as a form of art in itself – akin to the library music composers of the past who created records specifically to be licensed and repurposed. Peers and critics have taken note of the artistic merit in Luciano’s approach. Egon (Eothen Alapatt), a respected record collector and curator behind Madlib Invazion, praised “Shades of Mauve” for having “shades of the coolest of the French library...albums of the 70s” and meeting the high bar set by the best vintage library music – the kind released on storied labels like Italy’s Sermi or the UK’s DeWolfe. This comparison situates The Polyphonic Music Library in the lineage of classic library records that are now coveted cultural artifacts. In other words, Luciano’s compositions aren’t just knock-offs of old songs; they hold their own as contributions to the continuum of soulful, evocative music. Modern producers indulging in these samples are essentially crate-digging in a new way – instead of scouring flea markets for rare vinyl, they’re turning to creators like Mario Luciano who deliver that same analog soulfulness in a contemporary package. The impact of PML can also be seen in how it has inspired other musicians and sample-makers. Luciano’s success (with numerous high-profile placements and industry recognition) demonstrates that there is a viable path for independent composers to shape the sound of popular music from behind the scenes. His model of a boutique sample library – focusing on quality, authenticity, and creativity over quantity – has influenced others to emphasize artistry in their sample packs. Culturally, this elevates the role of the sample composer from an anonymous beatmaker to a kind of author whose signature can be heard in songs by major artists. Indeed, Mario Luciano’s fingerprints are quietly present in hits across the current musical landscape, and his Polyphonic Music Library has become a byword for excellence in the sample creation community. In an industry always looking for the next sonic trend, The Polyphonic Music Library represents a counter-trend: a return to roots, to analog warmth, and to the timeless appeal of polyphonic (many-voiced) music. As sampling continues to be a cornerstone of modern production, Mario Luciano’s work ensures that the new sounds lighting up our charts are deeply connected to the legacy of old sounds. In doing so, he has created a feedback loop between eras – a cultural conversation in which the past and present harmonize. The Polyphonic Music Library, with its documentary-like fidelity to another time, has not only provided producers with fresh creative fuel, but it has also helped preserve musical traditions by reimagining them in today’s context. And as long as Luciano’s analog odyssey continues, the soul of the 60s and 70s will keep echoing in the music of tomorrow.

From Pandemic Garage to Global Inspiration: The Rise of Hip-Hop’s Malo

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Stuck in a garage during the pandemic, hip-hop beatmaker Malo reignited his passion for vinyl sampling and transformed it into a thriving online community. Explore how an undying love for gritty loops, classic MPC workflows, and honest storytelling turned a moment of crisis into a worldwide musical inspiration.

Producer Profiles

Saint Mino (MINO) – Kingsway Music Library’s Multi-Platinum Producer Profile

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Early Life and Kingsway Beginning Saint Mino, known simply as Mino, is a German-born producer who began making waves in the music industry at a young age. Raised in Berlin, he developed a sharp ear for melody and texture early on, crafting beats that blended familiar musicality with fresh experimentation. His early compositions gained an underground following beyond his native Germany, eventually catching the attention of Grammy-winning producer Frank Dukes. Impressed by Mino’s talent, Frank Dukes tapped the teenage beatmaker to contribute to his renowned Kingsway Music Library, resulting in Mino’s first sample pack release while Mino was still in high school. This debut MINO Vol. 1 introduced Mino’s cinematic sound to a wider audience and marked the start of his professional journey. Not long after, Mino earned a production credit alongside heavyweights Boi-1da and Rowan on rapper Russ’s track “Paranoid” – an achievement that came while he was still a teenager. These early milestones set the foundation for Mino’s blossoming career, positioning him as one of the youngest members of the Kingsway team and foreshadowing the influential role he would soon play in modern music production. The Drum Broker · Kingsway Music Library - Mino Vol. 1 Notable Collaborations and Major Placements Breaking out from sample libraries into mainstream music, Saint Mino quickly built an impressive resume of collaborations with high-profile artists. Today, he is a multi-platinum producer credited on records across hip-hop, R&B, and global pop. His original samples and compositions have been flipped into chart-topping songs and critically acclaimed albums, earning him recognition among elite producers. In fact, the strength of his contributions to various projects even garnered Mino a GRAMMY® Award nomination for his work – a remarkable feat for a producer in his early twenties. Below are some of Saint Mino’s most notable production credits and collaborations: Roddy Ricch – “Prayers to the Trap God” (from the multi-platinum album Please Excuse Me for Being Antisocial)– Mino co-produced this introspective trap anthem, bringing moody melodies to Roddy Ricch’s breakout debut. Wizkid – “Gyrate” (from the Grammy-nominated album Made in Lagos) – Showcasing his versatility, Mino contributed to this Afro-fusion track, lacing it with smooth, atmospheric instrumentation that helped the album earn international acclaim. Jack Harlow – “Out Front” & “2Stylish” (from the Sweet Action EP) – Mino’s sample work underpins two standout cuts on Jack Harlow’s early EP, blending soulful chords with modern trap elements to complement Harlow’s laid-back flow. Don Toliver – “5X” (from the album Life of a DON) – On this Houston rapper’s project executive-produced by Travis Scott, Mino’s production delivers hypnotic, bass-heavy vibes and ethereal synth layers that amplify Don Toliver’s melodic style. Vince Staples – “Rose Street,” “Player Ways,” & “The Spirit of Monster Kody” (from Ramona Park Broke My Heart, 2022) – Mino was instrumental in crafting the sonic landscape of Vince Staples’ acclaimed album, co-composing multiple tracks. His contributions – from the soulful sample in “Rose Street” to the haunting textures of “The Spirit of Monster Kody” – display a refined touch that bolsters Vince’s storytelling. Russ – “Paranoid” (single, also featured on Shake the Snow Globe deluxe) – Mino’s early major placement on Russ’s track “Paranoid” (co-produced with Boi-1da and others) features his signature blend of eerie melody and punchy rhythm, laying a compelling backdrop for Russ’s verses. A Boogie wit da Hoodie – “Talk About It” (from Artist 2.0) – Mino co-produced this track for A Boogie, fusing piano-driven riffs with trap drums to create a dramatic, club-ready record. Each of these collaborations highlights Mino’s ability to adapt his sound to different artists while still maintaining a distinctive musical identity. From chart-topping West Coast rap to Afrobeat anthems, Mino’s production credits span a broad spectrum, underscoring his status as a sought-after collaborator in the industry. His work with artists like Roddy Ricch, Jack Harlow, Wizkid, Don Toliver, Tory Lanez, G-Eazy, and Vince Staples has firmly established Saint Mino as a go-to producer for melodic depth and fresh sample work. These placements not only brought Mino platinum plaques and industry accolades, but also helped shape the sound of several modern hit records. Defining Sound and Production Style Saint Mino’s production style is often described as an artful balance between the familiar and the unexpected. He possesses a “sharp and precise” ear for both melody and textural detail, enabling him to craft music that feels nostalgically warm yet refreshingly new. In Mino’s compositions, one can often hear the rich blend of synths, keyboards, and vocal elements layered over soulful chord progressions. He expertly weaves together acoustic instruments with electronic sounds, creating lush harmonies underpinned by dark, angular, and mysterious melodic bursts. This contrast – warm foundations colliding with shadowy accents – gives his work a dynamic narrative quality. As a sample maker, Mino approaches composition like a storyteller. “In this library he paints a truly vibrant palette of melodies,” reads one Kingsway Music Library description, “by intricately weaving together acoustic, synth, and vocal textures”. His samples often unfold like mini soundtracks, gradually pulling listeners into an “auditory story” full of drama and emotion. This cinematic approach results in loops that inspire other producers to get creative – the melodies invite reinterpretation and “unlimited possibilities of inspiration and creative sample flipping” Genre-wise, Mino’s sound draws from a wide pool of influences. He is equally comfortable crafting hazy R&B atmospherics, hard-hitting trap rhythms, or even hints of jazz, funk, and Afrobeat when the project calls for it. The common thread is a refined musicality: chords that tug at heartstrings, memorable motifs, and polished sound design. His personal taste in music is the guiding force behind his productions, resulting in a style that, while modern, often nods to classic soul and hip-hop sample traditions. Mino has stated that “My first priority is making music that I want to hear myself”– a philosophy that ensures each composition is crafted with genuine passion and meticulous attention to detail. This authenticity gives his work an emotional resonance that producers and listeners alike can immediately feel. Influence on Modern Music Production Saint Mino’s rise from an online sample creator to a multi-platinum producer underscores a broader shift in modern music production. As part of Frank Dukes’ Kingsway Music Library collective, Mino exemplifies the new generation of producer-composers who create original samples for others to sample – effectively bridging the gap between beatmaking and traditional songwriting. His success has proven that a well-crafted sample pack can become the backbone of mainstream hits, influencing how today’s records are made. By providing emotive chord progressions, vintage-style loops, and unique sonic textures, Mino’s samples have become secret weapons for many top producers. This sample-driven approach, pioneered by innovators like Frank Dukes and carried forward by Mino, has changed the workflow of modern hitmaking: rather than digging solely in old vinyl for inspiration, producers now frequently turn to curated original libraries like Mino’s for fresh ideas. In this way, Mino’s work has had a direct impact on the sound of contemporary hip-hop and R&B, as his loops and musical ideas are reinterpreted in songs that reach millions of listeners. Moreover, Saint Mino’s presence in the industry sends an inspiring message about the democratization of production. Coming from outside the traditional centers of music (a young creator from Germany), he leveraged the internet and sample pack culture to collaborate with superstar artists around the globe. His story exemplifies how modern music production has become a borderless, collaborative art form – one where a teenage producer making loops at home can end up shaping the sonic identity of a platinum album. The fact that Mino’s contributions have been recognized at the highest levels (including a Grammy nomination attached to Wizkid’s Made in Lagos project ) is a testament to the growing respect for sample composers in the contemporary music landscape. Producers today are not only beat-makers but also curators of mood and atmosphere, and Mino’s textured, melody-rich style has influenced peers to prioritize musicality in their own productions. Continued Evolution and Legacy Despite achieving so much so early, Saint Mino shows no signs of slowing down. After releasing two volumes of his Kingsway Music Library samples in quick succession during his teenage years, Mino took time to expand his craft through collaborations and placements. Nearly five years passed between his second and third sample pack – a period in which he honed his skills and broadened his artistic range. When Mino finally returned with Kingsway Music Library – Mino Vol. 3, the collection arrived as his most “sharpened and intentional” release yet. The samples in Vol. 3 reflect a matured producer at the height of his powers: even more nuanced performances, bolder creative choices, and an evident growth in musical depth. As the Kingsway team noted, Mino “has grown in all aspects of performance and creativity” and this new volume “show[s] and share[s] what he has learned” At just around 20 years old during that release, Mino had already built a legacy that many older producers would envy. His influence is present not only in the hit songs he’s co-created but also in the thriving market for high-quality sample packs geared toward professionals. Aspiring producers study Mino’s work to understand how to construct loops that can captivate multi-platinum artists. In studio sessions from Los Angeles to London, his name is brought up as a reference for fresh melody ideas or cutting-edge soundscapes. By staying true to his vision of making music he personally loves, Saint Mino has managed to leave an indelible mark on modern production while still at the beginning of his career. Saint Mino’s journey – from crafting loops in Berlin to shaping the sound of global hits – reads like a modern producer fairy tale, yet it’s very real and still unfolding. His defining sound of vibrant melodies and evocative textures continues to influence how music is produced in the streaming era. As he moves forward, with new collaborations and sample libraries undoubtedly on the horizon, Saint Mino stands as both a pioneer and a torchbearer for the sample-driven production movement. In an age where the line between producer and artist is increasingly blurred, Mino has carved out a distinct role: the sample composer as hitmaker, a role he fulfills with humility, craft, and an unwavering commitment to quality. With each new project, he reinforces his impact on modern music and solidifies his legacy as one of the defining producers of his generation.

Producer Profiles

Beat Butcha: The Producer Behind 1+ Billion Streams on Spotify

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Beat Butcha: The Producer Behind 1+ Billion Streams on Spotify Eliot “Beat Butcha” Dubock is an English hip-hop producer and sound designer whose hard-hitting beats have reverberated from the UK underground to the top of the charts. If you’ve listened to artists like SZA, Jay-Z & Beyoncé (The Carters), Brent Faiyaz, or Tyler, The Creator, you’ve likely heard Beat Butcha’s signature touch on their music. Renowned for blending gritty boom-bap sensibilities with modern polish, Beat Butcha has become a go-to producer for both hardcore rap purists and forward-thinking R&B artists. With over two decades in the game, multiple Grammy-winning projects, and a line of drum sample packs coveted by producers, his influence is felt far and wide in today’s music scene. Early Life and Journey into Music Production Born and raised in London, England, Beat Butcha developed an ear for music early on. As a teenager in Southeast London, he started out as a DJ at just 16 years old. Immersed in the local hip-hop scene, he cut his teeth spinning records and making pause-tape beats before eventually transitioning into production. Influenced by the ‘90s hip-hop he grew up on – legends like DJ Premier, Havoc (of Mobb Deep), Pete Rock and Large Professor were among his early inspirations – Butcha honed a boom-bap style that paid homage to that golden era while adding his own twist. He’s joked that his production palette is like a “gumbo of many different sounds”, blending the raw with the unexpected In his late teens and early 20s, Beat Butcha was already putting in serious work on his craft. He started by producing for UK hometown heroes such as Jehst, Braintax, Terra Firma, and SonnyJim, making a name for himself in the British hip-hop underground. A pivotal early milestone was a 12″ vinyl release with rapper Stig of the Dump that featured U.S. underground legend R.A. The Rugged Man – a sign that Butcha’s talent was crossing borders even before he set foot in America. Breakthrough and Major Milestones Beat Butcha’s break into the American scene came from an organic bit of networking. After a chance meeting with the late Brooklyn MC Pumpkinhead, the young producer sent him a batch of beats. One of those tracks became “Battering Bars,” a song featuring Sean Price – the gravel-voiced underground icon from Boot Camp Clik. Impressed by Butcha’s raw sound, Sean Price personally reached out a week later for more beats, which led to Beat Butcha landing a couple of placements on Price’s acclaimed Mic Tyson album in 2012. This early cosign from an NYC rap veteran cemented Butcha’s reputation as a go-to guy for gritty boom-bap production. From there, Beat Butcha’s resume blossomed. He spent the 2010s stacking an impressive list of collaborations on both sides of the Atlantic. By grinding nonstop and letting the music speak for itself, he caught the ears of notable American artists. Big Boi of OutKast, West Coast stalwart Xzibit, G-Unit’s Lloyd Banks and Tony Yayo, D-Block legend Jadakiss, Detroit eccentric Danny Brown, and Miami boss Rick Ross are just a few of the names who tapped Beat Butcha for his production prowess. On the international front, he also contributed to tracks by Australian rap icons like Trem and Brad Strut, showing his versatility across scenes One of Butcha’s proudest achievements came when he got to work with his childhood heroes. In 2014, he produced “Timeless” for The Infamous Mobb Deep album, a project by the legendary duo Mobb Deep. A few years later, he contributed three dark, soulful cuts – “Broken Rappers,” “Snakes,” and “Spiritual War” – to Prodigy’s final solo album Hegelian Dialectic (2017). For a producer who had long idolized Mobb Deep’s ominous soundscapes, crafting music for Havoc and Prodigy was a full-circle moment that “indeed a dream come true” Even as he supplied bangers for street rap veterans, Beat Butcha was branching out. He became heavily involved in Lloyd Banks’ projects in the mid-2010s, contributing extensively to four of the G-Unit rapper’s mixtapes/albums. This run not only solidified Butcha’s name in New York’s mixtape circuit, but also created a buzz around his drum textures – so much so that aspiring producers began seeking out Butcha’s drum samples to recreate that sound. Around this time, he released his first “Steroid Pack” sample kits, which quickly gained popularity among beatmakers for their knocking drums and gritty loops By the late 2010s, Beat Butcha’s hard work was paying major dividends. In 2018, he contributed production to The Carters (Jay-Z and Beyoncé)’s joint album Everything Is Love, which went on to win a Grammy Award for Best Urban Contemporary Album. The project’s genre-blending sound benefited from Butcha’s input, and it marked his first connection to a superstar release. Not long after, his chemistry with rapper Westside Gunn and the Griselda Records crew led to Butcha co-producing a significant portion of WWCD, Griselda’s 2019 group album, as well as tracks on Conway the Machine’s acclaimed From King To A GOD (2020) – all without using any pre-existing samples, a testament to his composing skills. These projects endeared him to Griselda’s cult fanbase and proved that Butcha could deliver the raw East Coast aesthetic on par with the best in the game. Signature Style and Influences Talk to any producer or artist who’s worked with Beat Butcha, and they’ll mention his signature sound. He has a remarkable ability to capture the essence of ’90s hip-hop — dusty drum breaks, eerie melodies, and head-nodding basslines — while making it feel fresh for the 21st century. In his own words, the vibe is “grimy with a little touch of soul”, a modern take on classic boom-bap. This style was heavily shaped by the records Butcha grew up on. As a teen in the UK, he studied American hip-hop’s greats: you can hear the influence of DJ Premier’s chops, Havoc’s dark atmospheres, and Pete Rock’s soulful loops in Butcha’s beats. However, he’s far from a one-trick pony. Over the years, Beat Butcha has proven himself extremely adaptable. He can craft eerie street anthems for the likes of Griselda one day, and smooth R&B grooves for artists like Brent Faiyaz the next. “I feel like I’m a jack of all trades,” Butcha says about his approach, noting that he has a few different styles in his toolkit. For Griselda, he emphasizes dissonant chords and lo-fi textures that mimic old vinyl (often creating sample-free compositions that sound like lost soul loops). On the other hand, when working in the R&B realm or with melodic artists, he isn’t afraid to incorporate lush chords or cleaner drum programming. This range of inspiration results in an eclectic sound palette; he’s described his beat-making process as mixing many unexpected ingredients together until they “make sense” – much like cooking a flavorful stew. One constant in Beat Butcha’s music, regardless of genre, is the drums. His drums hit hard. Whether it’s a crunchy snare that cracks through the mix or a dusty kick that rattles your speakers, producers and listeners alike recognize Butcha’s drums when they hear them. It’s no surprise that he’s widely respected for having “some of the dopest drums & melodies in the industry”. This reputation for top-tier drum sounds is exactly why so many contemporary producers flock to his sample packs (more on those later). Butcha’s meticulous attention to detail – adding subtle touches, layers, and effects to make each beat come alive – sets him apart from more generic “loop makers.” He’s a student of the craft who can chop a sample like a pro (his appearance on Mass Appeal’s Rhythm Roulette series, alongside legends like 9th Wonder and Just Blaze, is proof of his chops). In short, his influences may come from the boom-bap gods of the past, but Beat Butcha has forged a style that’s entirely his own, equal parts old-school grit and modern finesse. Notable Tracks and Collaborations Throughout his career, Beat Butcha has been behind an array of influential tracks spanning hip-hop and R&B. Here are some of his most notable productions that showcase the breadth of his sound: “Far” – SZA (2022): A moody standout from SZA’s chart-topping SOS album, co-produced by Beat Butcha. “Far” layers hazy synths and atmospheric vocals over punchy drums, blending alternative R&B vibes with Butcha’s subtle grit. The track’s introspective mood and knocking low-end show how his style can elevate a soulful song into something uniquely captivating. (Fun fact: “Far” helped SZA’s album go multi-platinum, proving Butcha’s touch works just as well in R&B as in rap.) “Stick” – JID & J. Cole feat. Kenny Mason & Sheck Wes (2022): A high-energy posse cut from Dreamville’s D-Day: A Gangsta Grillz Mixtape, produced by Beat Butcha and colleagues. “Stick” is pure mayhem on wax – urgent siren-like sounds, an ominous bassline, and thunderous drums drive this track. It became a fan-favorite for its mosh-pit-ready feel. Butcha’s contribution here showcases his ability to craft anthems that get crowds hype, without losing that underground rawness. “10 More Commandments” – Benny the Butcher feat. Diddy (2022): A standout track from Benny’s album Tana Talk 4, this song is a sequel to The Notorious B.I.G.’s classic “Ten Crack Commandments.” Beat Butcha flips the concept with a modern boom-bap beat that updates the original’s gritty formula. The drums hit with head-nodding knock, and eerie piano loops set a sinister tone as Benny recites street rules with Diddy narrating. The track bridges generations, and having Butcha behind the boards gave it that authentic 90s flavor in a 2020s record. “Timeless” – Mobb Deep (2014): This track off The Infamous Mobb Deep album was a landmark for Butcha. Over a haunting beat he crafted, Queensbridge legends Prodigy and Havoc trade verses that truly feel “timeless.” The instrumental carries the spirit of Mobb Deep’s 1995 heyday – ominous, piano-stab heavy, and hard as nails – yet it was composed anew by Butcha. For many boom-bap fans, “Timeless” proved that Beat Butcha could hang with the all-time greats on their turf. “Broken Rappers,” “Snakes,” and “Spiritual War” – Prodigy (2017): A trio of tracks on Prodigy’s final album Hegelian Dialectic that showcase Beat Butcha’s darker side. Each of these songs is built on brooding samples (or sample-like compositions), muffled drums, and somber melodies that matched Prodigy’s reflective, militant lyrics. These cuts solidified Butcha’s status as a torchbearer of the classic New York sound — so much so that listeners could swear they were hearing unreleased Mobb Deep beats from the 90s. “Heal Your Heart (Interlude)” & “Addiction” – Brent Faiyaz (2020/2022): Butcha also made waves in the R&B world through his work with Brent Faiyaz. He produced the lush interlude “Heal Your Heart” and contributed drums to the sultry track “Addiction”, both of which appear on Brent’s projects. These songs carry a polished, atmospheric feel – shimmering keys, deep 808-style kicks – yet still have an undercurrent of grit that’s trademark Butcha. By lending his touch to Faiyaz’s Wasteland album (which hit #1 on the R&B/Hip-Hop charts), Butcha proved his production could dominate not just rap playlists but R&B airwaves too. (Many more tracks could be listed – from Mac Miller and Curren$y cuts in the early 2010s, to UK rap anthems with Klashnekoff or Ghetts – but the above selections paint a clear picture of Beat Butcha’s impact across different eras and styles.) Impact on Modern Hip-Hop and R&B Beat Butcha’s journey from a London kid obsessed with hip-hop to a Grammy-winning producer is a testament to his impact on modern music. In the hip-hop world, he has been instrumental in the resurgence of grimy, sample-driven rap in the mainstream. His work with Griselda Records in particular helped bring the underground boom-bap aesthetic back to the forefront in the late 2010s. Albums like WWCD and tracks like Westside Gunn’s “Lotus” and Conway’s “Spurs 3” (both touched by Butcha’s production) reminded listeners that the raw East Coast sound still hits just as hard today – and inspired a wave of younger rappers and producers to revisit that style. It’s no wonder XXL Magazine highlighted Beat Butcha among the top hip-hop producers of 2022, noting how his beats powered some of the year’s standout rap projects. Beyond hardcore hip-hop circles, Beat Butcha has also left his mark on modern R&B and pop-infused rap. By contributing to SZA’s and Brent Faiyaz’s projects, he’s shown that the textured, immersive quality of his production can shape the sound of contemporary R&B. These songs often become fan favorites (for example, “Far” by SZA quickly racked up streams and praise, partially due to its engrossing production). Meanwhile, his collaboration on Tyler, The Creator’s Call Me If You Get Lost – which won the 2022 Grammy for Best Rap Album – further cemented Butcha’s rep as a producer who can seamlessly blend eras. Tyler’s album is a melting pot of styles, and Butcha’s contribution on the bonus cut “Fish Tail” gave it an extra dose of dusty soul, fitting right in with Tyler’s vision Importantly, Beat Butcha’s impact isn’t just measured by the hits he’s produced, but also by the influence he has on other producers. His sound design work (the drums, loops, and samples he creates) has become part of the toolkit for countless beatmakers worldwide. In interviews, he’s generously shared production tips and philosophies – his “9 Keys to Success as a Producer” piece on DJBooth is a must-readfor up-and-comers – helping to mentor the next generation. When producers talk about making a track “bang” or achieving that “street but polished” vibe, they often reference techniques that Beat Butcha has mastered. In short, he’s seldom seen but often heard in today’s music landscape, quietly shaping the sound of modern hip-hop and R&B from behind the boards. Sample Packs and Legacy In addition to his work with artists, Beat Butcha has built a legacy as a sound provider for other producers. He’s released a series of hugely popular sample and drum kits that encapsulate his trademark sounds. Notably, his “Steroid Pack” kits became hot commodities in the producer community, offering thick drum hits and gritty loops that instantly inject energy into any beat. He later launched the “Filth” drum kit series, whose very name signals the raw attitude of the sounds inside. Described as “full of strictly the grimeyest of sounds for lovers of the nastiest drum breaks & scariest beats”, the Filth series provides everything from hard drum loops to eerie musical chops, all designed by Beat Butcha himself. These sample packs have essentially made Butcha’s sonic DNA available to the world. It’s common to find elements from his kits popping up in songs by other producers – in fact, part of the reason his influence is so widespread is that even if he didn’t directly produce a track, the producer of that song might have used a Beat Butcha snare, hi-hat, or bass tone from one of his packs. For aspiring producers looking to achieve a similar knock and vibe in their beats, these packs are essential tools. Butcha has essentially bottled up his production secret sauce and shared it, allowing newcomers to learn from his textures and potentially come one step closer to that professional, gritty sound. All of this feeds into Beat Butcha’s growing legacy. He’s not only made hit records for others, but also empowered fellow producers to elevate their own art. As a result, his impact will likely continue for years to come, as new producers study his drum programming or experiment with his samples, carrying forward the aesthetic he championed. It’s a legacy of community and craft. Conclusion: A Respected Architect of Sound From his humble beginnings chopping beats in London bedrooms to producing Grammy-winning albums in Los Angeles studios, Beat Butcha’s story is as compelling as his sound. He embodies the spirit of hip-hop’s global journey – a kid outside of New York, inspired by the culture, who worked tirelessly to carve out his place among the greats. Casual fans might know his beats without knowing his face, and serious producers study his techniques to level up their own music. That dual impact is rare. In a music industry often obsessed with fame, Beat Butcha stands as the quiet architect behind the hits – “seldom seen, often heard,” as the saying goes. His signature style of combining raw boom-bap elements with contemporary flavor has influenced the sound of modern hip-hop and R&B in a profound way. And by sharing his drum kits and production knowledge, he’s ensuring that the next generation can carry the torch forward. As fans, when we nod our heads to a Beat Butcha banger or vibe out to a soulful jam he’s crafted, we’re experiencing the result of a lifetime of dedication to music. For producers, having a Beat Butcha drum sample in your arsenal is like having a piece of hip-hop history at your fingertips. In both cases, it’s clear that Beat Butcha has achieved something most can only dream of: he’s made his mark on music without ever compromising his sound. And as he continues to evolve and collaborate with the biggest names in the game, one thing is certain – Beat Butcha’s story is far from finished, and his beats will keep knocking for years to come.

Building Better Drums: A Conversation with Producer/Engineer Damon Flores

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Building Better Drums: A Conversation with Producer/Engineer Damon Flores “I just want to provide for my family doing what I love.” – Damon Flores For years, Dutch producer and freelance IT specialist Damon Flores has juggled a career in tech while honing his craft in beatmaking and drum programming. He’s partnered with globally recognized sample creators, shared tips with fellow producers from around the world, and steadily built a reputation for lush, hard-hitting drum patterns that make people sit up and take notice. In our wide-ranging chat, Damon broke down his process for creating and mixing drums—both on the MPC and in Ableton Live—while reflecting on how he balances family life, IT work, and a passion for music. The Beats From IT to MPC: A Quick Background Growing up in the Netherlands, Damon bounced in and out of music throughout his life. Despite long spells away from production—prompted by family responsibilities or lack of inspiration—he always found himself gravitating back to beats. In 2019, right before the pandemic, he committed to going “all in,” investing in his setup and dedicating daily time to refine his sound. Four years later, that effort has paid off. Damon’s beat videos have reached an international audience that often mistakes him for a New York-based producer, thanks to the New York-influenced grit of his drums and the high production value of his video content. He’s quick to emphasize that “If you want something to be great, you have to invest in yourself and your gear.” Drums on the MPC: One-Shots and Breaks Damon’s approach on the MPC can be split into two primary methods: using one-shots and chopping drum breaks. Using One-Shots Building the Drum Program Damon starts by loading an empty drum program with carefully selected kicks, snares, hats, and occasional percussion. Sometimes these one-shots come straight from his library; other times, he routes them through the SP-404 first for some character.A dedicated “ghost kick” pad is crucial to Damon’s workflow, sitting at a lower volume and rolled-off high end. “The ghost kick keeps the groove breathing,” he explains. He also sets his main kick as a sidechain input for the Mother Ducker plug-in. Staying in tune is important, and Damon often tunes his Kick drum to the sample or melody as needed Sequencing & Groove He typically finger-drums a 4-bar loop and, on the final bar, either strips out the main drum hits or adds a quick fill for variety. Subtle nudging of the snare and ghost kick helps achieve an off-grid swing. For hi-hats, he’ll use the MPC’s humanize function to randomize velocities and avoid sterile repetition. Color & Cohesion Plug-ins like Air Flavor Pro add warmth or vintage flair. If the drum track needs extra glue, he’ll apply gentle bus compression on the entire drum program. Chopping Drum Breaks Slice and Shuffle Damon chops breaks into quarter-note slices (or smaller) to rearrange them freely. After slicing, he may boost or soften individual hits. Layering & Pitch If a break’s hi-hats feel under powered, he layers them with additional hats or percussive loops. Pitch adjustments (up or down) further personalize the break. Favorite break sources include Bizkel, Beat Butcha, and Skyking—all known for distinctive textures. The Ableton Live Workflow Though the MPC remains a cornerstone of Damon’s style, Ableton Live has carved out a permanent space in his production process. He’s been using it since 2010 and loves Push and the new Ableton Move for hands-on control and faster sample manipulation. Drum Rack Setup In Live, Damon loads one-shots into an empty Drum Rack, keeps velocity fixed for kicks and snares, and allows dynamic variation for hi-hats. He maintains a pad specifically for ghost kicks—“It’s essential,” he says. EQ Eight is used to roll off lows on hats and snares, ensuring clarity in the lower frequency range. Groove Pool Magic Damon often experiments with the Groove Pool, selecting classic MPC 3000 or SP1200 swing presets to add an old-school feel. Colorful Plug-ins Among his favorites are RC-20, Soundtoys Decapitator, KNOCK, and Serato HEX. “HEX feels more modern. You can dial in grit on the fly,” he notes. For cohesive bus processing, he often turns to Ableton’s Glue Compressor, Goodhertz Vulf, or the SSL Bus+ for a final polish. Using Breaks in Live Damon’s process with breaks in Live echoes his MPC routine: slicing into a MIDI track, rearranging hits, and tweaking pitch or layering additional percussion for unique character. He might also push the break through the SP-404 or Analog Heat for extra saturation. “Sometimes if the drums are too clean, you need that analog gear to give it bite,” he explains. External Gear and That “Secret Sauce” While many producers rely purely on software, Damon prefers a hybrid setup. He frequently runs the master output from his MPC or standalone samplers through an Elektron Analog Heat and SSL Fusion, adding harmonic saturation and analog warmth before finalizing tracks in Ableton. The SP-404 also comes into play for vinyl simulation, compression, and that distinctive lo-fi texture. “I like it when the sample pack maker leaves a bit of headroom—if it’s too loud from the start, I can’t add my own sauce.” Less Is More In a world over-saturated with plug-ins, sample libraries, and social media “hustle culture,” Damon takes a more restrained approach. “If it sounds good, it’s good. Don’t overthink it,” he says. He admits to owning a stack of unused plug-ins but notes that he returns to the same few tried-and-true tools over and over again. He also stresses consistency over constant pressure: “I used to post two beat videos a day, every day, even while moving into a new house. Now I’ve got a more balanced system—work smarter, not harder.” Final Thoughts For Damon, the goal is simple: make great-sounding drums that knock, while keeping the creative spark alive. Whether he’s finger-drumming on the MPC, layering a break in Live, or running everything through outboard gear for extra grit, the key ingredient is always his ears—and a willingness to experiment. “One day I might focus on a single break; the next, I’m layering 32 sample chops. If it fits the track and makes my head nod, I roll with it.” To keep up with Damon’s drum experiments, follow him on Instagram or Spotify—and be on the lookout for more behind-the-scenes posts on drum production, gear talk, and everything in between. Follow Damon Flores on Instagram Follow Damon Flores on Spotify Disclaimer: All brand and product names (MPC, SP-404, Ableton Live, etc.) are the property of their respective owners. No official affiliation or endorsement is implied.